White Rabbit Gallery -
Exhibitions

I Am The People

I Am The People

29 28.06–10.11.2023

I Am The People

Highlighting both the struggles and the aspirations of all the Chinese people

Looking to the stars as they shone in the night sky, Zeng Liansong recalled the Chinese proverb: ‘longing for the stars, longing for the moon’. It inspired him to design the Five-Star Red Flag that would change the face of a nation. First raised in 1949 to mark the creation of the People’s Republic of China, a star was revealed for each of the four revolutionary classes: the working class, the peasantry, the urban petty bourgeoisie, and the national bourgeoisie. The largest star of all unifies these classes under the Chinese Communist Party.

But what is the future of class in China? At a time when the nation is rapidly transforming into a global economic and political powerhouse, issues of class stratification and social mobility become increasingly urgent. Already in place are divisive social engineering policies such as the Hukou system, which splits the population into two categories: rural and urban. This geographic lottery determines the fates of millions who are pushed to the margins of society and rendered invisible.

The artists in this exhibition offer their nuanced perspectives, highlighting both the struggles and the aspirations of different groups within Chinese society. Whether we are viewing the world from the perspective of a factory worker in Guangzhou or a wealthy entrepreneur in Beijing, cutting across all boundaries is the need for harmony and belonging. Uniting the divide; between the poverty stricken and the politicians, labourers and ethnic minorities, clubbers and cowboys, is the rallying cry – I Am the People.

Photography by Hamish McIntosh

GF
Shyu Ruey-Shiann River of Childhood, 2011 ceramic, metal, electric motors
80 ceramic boats
dimensions variable
Shao Yi Origami Series – Paper Plane, 2016 steel
179 x 123 x 17 cm
1F
HAILUN MA Hometown 1 – 6, 2018 inkjet print
each 69 x 99 cm
Xinjiang Cowboys 1 – 5, 2019 inkjet print
1 pc 120 x 80 cm,
4 pcs each 69 x 99 cm
Uruklyn 1 – 3, 2021 inkjet print
1 pc 120 x 80 cm,
2 pcs each 69 x 99 cm
Kazakh Bride, 2019 inkjet print
each 100 x 83 cm
The Girl on the Sixth Floor, 2022 wool rug
136 x 200 cm
Liu Chuang Love Story, 2014 found books
coloured stones, and hand-drawn inscriptions on wall
dimensions variable
Gao Rong Station, 2011 cloth, thread, sponge, metal frame
255 x 100 x 28 cm
Some Days Later, 2015 cloth, cotton thread, latex foam, steel
115 x 53 x 50 cm
Level 1/2, Unit 8, Building 5, Hua Jiadi, North Village, 2010 cloth, cotton thread, sponge, metal support
260 x 166 x 184 cm
Li Ming Disposable Lighters – Apple, 2014-16 9 channel video (colour, sound), wall text, iPads, loudspeakers, disposable lighter fragments
dimensions variable
Yang Zhenzhong Fences, 2013 steel, cast iron, mirrors, electric lights
145 x 1012 x 40 cm
Lu Nan Prison Camps in Northern Myanmar, 2006 gelatin silver prints
dimensions variable
I Am the People 1, 2020 video
25 minutes 12 seconds
AOHU, 2021 video
13 minutes 54 seconds
White Mold, 2020 video
15 minutes 34 seconds
A Quan, 2021 video
15 minutes 14 seconds
Sisters + My Lockers, 2021 2 channel video
18 minutes 11 seconds
2F
Yang Zhenzhong Still Life and Landscape 7, 8, 9, 11 , 12, 13, 14, 27, 2017-18 oil on canvas
dimensions variable
Jingximian, 2010 c-type print
120 x 120 cm
The Blue Boy, 2009 hand coloured photograph
124 x 89 cm
Clown, 2009 hand coloured photograph
124 x 89 cm
GE HUI Never Prepare a Story, 2010-22 oil on canvas
255 x 345 cm
Two White Cats, 2017-22 oil on canvas
100 x 125 cm
Three Geese, 2019-21 oil on canvas
190 x 170 cm
A Flower, 2015-21 oil on canvas
125 x 100 cm
YANG XINJIA Dusk of a Solitary Walker – 1, 2018 inkjet print
90 x 90 cm
Dusk of a Solitary Walker – 2, 2018 inkjet print
73 x 100 cm
Dusk of a Solitary Walker – 5, 2018 inkjet print
77 x 100 cm
Dusk of a Solitary Walker – 6, 2018 inkjet print
180 x 40 cm
Dusk of a Solitary Walker – 11, 2018 inkjet print
100 x 70 cm
Dusk of a Solitary Walker – 14, 2018 inkjet print
100 x 67 cm
QIN QI White Horse Story, 2015 oil on canvas
280 x 320 cm
LIU CHANG Chorus, 2021 steel, wood, electrical components
dimensions variable
Zhang Peili Happiness, 2006 2 channel video
6 minutes 32 seconds
Ouyang Chun Cream Cake, Lighthouse, Skyscrapers or Shimmering Anthill, 2017 oil on canvas
325 x 200 cm
ZHOU BIN Following, 2009 video performance documentation
4 minutes 31 seconds
Wang Ningde Some Days series, 2002-09 gelatin silver prints
4 pieces, dimensions variable
Yang Shen Intellectuals Exposing Pegasus Tattoos to Workers, Peasants and Soldiers, 2017 oil on canvas
50 x 60 cm
Peasants Exposing Tiger Tattoos to Workers, Soldiers and Intellectuals, 2017 oil on canvas
50 x 60 cm
Workers Exposing Panda Tattoos to Peasants, Soldiers and Intellectuals, 2017 oil on canvas
50 x 60 cm
Soldiers Exposing Bat Tattoos to Workers, Peasants and Intellectuals, 2017 oil on canvas
50 x 60 cm
Xiang Liqing Crawling, 2006 porcelain
906 pieces
dimensions variable
Cao Shu Meeting, 2015 2 channel video
10 minutes 15 seconds
Zheng Zhou Portrait Series During the Pandemic Two, 2020 acrylic and oil on canvas
154 x 174 cm
Portrait Series During the Pandemic Four, 2020 acrylic and oil on canvas
154 x 174 cm
3F
Chen Wei History of Enchantment (Cold Sculpture), Shanghai, 2015a stainless steel
7 sculptures
dimensions variable
Where Are You Going Tonight (Sydney), 2023 LED screens
10 pieces
dimensions variable
In the Waves 2, 2013 archival inkjet print
150 x 187.5 cm
In the Waves 3, 2013 archival inkjet print
150 x 187.5 cm
In the Waves 6, 2013 archival inkjet print
150 x 187.5 cm
In the Waves (Orange), 2013 archival inkjet print
150 x 187.5 cm
Video
White rabbit Gallery, I am the people exhibition, LI MING, Disposable Lighter Apple artwork
Virtual Tour
White rabbit Gallery, I am the people exhibition, installation photo
Past Exhibitions
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