White Rabbit Gallery -
Exhibitions

The Hooligans

The Hooligans

34 19.12.2025–17.05.2026

The Hooligans

Rabble-rousers, riffraff, scoundrels, and criminals.

Troublemakers, wanderers, deviants, misfits. They’ve gone by many names—but to the Chinese state, they were once known simply as The Hooligans.

The Mao-era crime of “hooliganism” (流氓罪) was notorious for its broad scope and arbitrary enforcement. It became a blunt tool used to silence dissent, police morality, and punish anyone seen as a threat to political or social order, including sexual minorities and political dissidents. The last known person imprisoned under the charge was a protester in the 1989 Tiananmen Square democracy movement.

When “hooliganism” was finally removed from the Criminal Code, it didn’t vanish—it evolved. In its place came “picking quarrels and provoking trouble” (寻衅滋事), a catch-all offence capable of criminalising almost any act of resistance to the Party’s carefully curated image of civility. Feminists protesting sexual harassment, and blank-paper demonstrators demanding human rights under censorship, have all found themselves caught in its crosshairs.

Sweeping anti-corruption campaigns continue today under the slogan “hunting tigers and swatting flies,” which promises to target both powerful elites and low-level officials. Yet, as with earlier crackdowns, the real target is not only corruption but also disobedience.

For as long as rules have existed, people have found ways to break them. In the face of relentless restrictions, Chinese artists have learned to think beyond imposed boundaries. Refusing to cooperate, daring to defy, and stirring up trouble, the artists in this exhibition speak for those sacrificed to keep the peace.

Photography by Hamish McIntosh

GF
Yu Ji The Tiger’s Butt Cannot be Touched, 2023 acrylic on linen
50 x 60 cm
Tian Longyu A… O!, 2014-2015 fur, leather, fibreglass, metal, approximately
251 x 195 x 430 cm
Meng Site Future Land of Happiness, 2023 oil on canvas
330 x 410 cm (quadriptych)
Jin Shan Untitled – Animals Attack Humans, 2013 video (colour, silent)
3 min 15 sec
1F
Li Wei Once Upon a Time, 2019 silicone, metal, 3D printed plastic, paint, clothing, human hair
six figures, each approximately 120 x 33 x 21 cm
SAMSON YOUNG Stanley, 2014 C-type print, neon, sand, C-type prints
16 pieces, each 84 x 55 cm
neon sign, 120 x 400 cm
installed dimensions variable
Liu Dahong Scummy Dregs of the Old Society, 2011 oil and charcoal on canvas
100 x 80 cm
Old Spies and Evil Henchmen, 2011 oil and charcoal on canvas
100 x 80 cm
The Great World, Shanghai, 2021 oil on canvas
91 x 61 cm
Huang Yongping Les Consoles de Jeu Souveraines, 2017 steel, aluminium, bronze, wood, plastic, fibreglass, paper, straw, taxidermied horse
345 x 586 cm diameter
Wax Seal, 2017 ink and sealing wax on rice paper
33 x 680 cm
Xu Lei Correspondences, 2022 acrylic, metal, electric motor
266 x 350 x 58 cm
Jin Feng Learn from Capitalism, 2014-2016 video installation (colour, sound),
25 videos, duration ranging from 3 min 32 sec to 5 min 37 sec
Liu Ding Gestures, 2016 oil on canvas
205 x 250 cm
2F
Xiao Lu Dialogue, 1989 C-type print
80 x 120 cm
Chen Zhe The Bearable, 2007-2010 inkjet print
24 pieces, each 63 x 83 cm
6 pieces, each 83 x 63 cm
Bees, 2010-2012 inkjet print
3 pieces, each 50 x 60 cm
plus additional text materials
Wang Yuyu Patching Practice: Trifoliate Orange, 2022 underwear (bras), silicone, steel wire, stainless steel, wood, acrylic paint
200 x 60 x 40 cm
Peng Yun Miss Melissa and Mr Fish at 2:31pm, 2013 video (colour, sound)
7 min 49 sec
Chen Lingyang Twelve Flower Months, 1999-2000 C-type print
12 pcs dimensions variable
Hu Yinping Qiao Xiaohuan, 2007 performace event, UV resin, acrylic glazing,
134 x 73 x 15 cm
Three Three Sister: from the Bad Guy Series, 2020-2021 wool, cotton, natural fibre, plastic chair
127 x 54 x 75 cm
Foot Basin #1, 2022 copper, silver, resin
45 x 100 x 35 cm
Hand Basin #2, 2022 copper, silver, resin
96 x 62 x 58 cm
Potatoes, Potatoes, 2024 wool, cotton, plastic coated steel wire
200 pieces, each approximately 60 x 35 x 35 cm
Wheat, Wheat, 2024 wool, cotton, plastic coated steel wire
300 pieces, each approximately 60 x 35 x 35 cm
Apology Letter — Don’t Want to Apologize: from the series The Moon Rises from Within…, 2022 copper, gold leaf
120 x 120 cm
He Yunchang Swimsuits, 2011 inkjet print
55.5 x 113 cm, 55.5 x 144 cm
Ai Weiwei Sunflower Seeds, 2009 porcelain
weight approximately 500kg
Zhu Yu 2015-2020 04, 2019 oil on canvas
180 x 180 cm
XU ZHEN® The Venus of Willendorf: from the series Beverage, 2024 resin, mineral pigments
225 x 165 x 130 cm
Small Change (One-Renminbi Tank), 2014 one-yuan banknotes
17 x 53 x 22 cm
Zheng Guogu Rust Another 2000 Years - Shanghai Products, 2014 copper
15 pieces, dimensions variable
2000 AD and Rust Another 2000 Years, 2000-2005 mild steel, brass
12 pieces, 12.5 x 7 cm diameter each
Wu Chen A Group of Artists, 2009 acrylic on canvas
200 x 450 cm (triptych)
Ju Anqi A Missing Policeman, 2016 video (colour, sound)
50 min 2 sec
3F
Song Yongping Long Live Chairman Mao: from the series History, 2012 oil on canvas
220 x 400 cm
With You in Charge, My Heart is at Ease: from the series History, 2016 oil on canvas
220 x 401 cm
Story of Spring: from the series History, 2014 oil on canvas
220 x 400 cm
State Secrets: from the series History, 2014 oil on canvas
221 x 401 cm
1989: from the series History, 2016 oil on canvas
220 x 398.5 cm
Enter the New Age: from the series History, 2015 oil on canvas
220 x 401 cm
Utopia: from the series History, 2012 oil on canvas
221 x 400 cm
Hitting Tigers and Flies Alike: from the series History, 2015 oil on canvas
220 x 401 cm
Video Videography: Moon Vision Studio
The White Rabbit gallery. The hooligan exhibition. artwork: A...-O by TIAN LONGYU
Virtual Tour
The White Rabbit gallery. The hooligan exhibition. artwork: Stanley by SAMSON YOUNG
Past Exhibitions
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